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Fresh Fruit Pop up: Drawing Studio

Drawing Studio, 12 Jan, 2-5pm.
Free, drop-in for 8-15 year olds
At Waverley Mall, 3/48 Waverley Bridge, Edinburgh, EH1 1BQ. Find us on the lower level, in between Anime Republic and New Look

Fresh Fruit Pop Up is an open creative space for 8–15 year olds to drop-in, make art and chat to peers.

In this block of sessions we will challenge your expectations of what drawing can be and make the space your drawing studio, creating new work to take home. Choose to work on a large or small scale, experimenting with a range of different materials and techniques including pens, pencils and charcoal, as well as making your own drawing tools.

This is the third block of art workshops and artist Louise Fraser and Intern Brooke Milliken have been collecting your ideas about creative activities for the space. Studio Takeover responds to these ideas, exploring drawing; sculpture; printmaking; and a collaboration with Anime Republic focusing on anime – the animation style originating in Japan – and manga Japanese comic art.

Sessions take place in a new dedicated unit at Waverley Mall during The Fruitmarket Gallery’s building development. You’ll be supported to take over the space and develop ideas for creative programmes for young people in the new Fruitmarket building when it opens in 2020.

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Exhibition: Lee Lozano: Slip, Slide, Splice

Lee Lozano was a major figure in the New York art scene of the 1960s and early 1970s, making furiously inventive, irreverent and often tiny paintings and drawings; vast, abstracted paintings that sometimes used tools as their starting point; and conceptual works which took the form of instructions: ‘investment piece: be the recipient of a grant. Invest half the money on the stock exchange and hold purchase for a minimum time period of six months’.

These works, called ‘language pieces’ by Lozano, culminated in General Strike Piece (‘gradually but determinedly avoid being present at official or public ‘uptown’ functions or gatherings related to the ‘artworld’’…) and then Dropout Piece which saw Lozano leave New York and the art scene entirely. Her radical approach to art and life, in particular her systematic refusal to engage with the institutions and support structures of the art world, led somewhat inevitably to her work being neglected and becoming much less well known over time. Recently, this has begun to change, and we are proud to make this contribution to the reassessment of Lozano’s work.

This exhibition brings together work from across Lozano’s career. A selection of small paintings from 1962 will be shown alongside a selection of drawings from the same time – metamorphic and mostly frankly rude. Four vast, abstracted paintings will be contextualised both by related drawings and previously unseen notes, instructions and lists. A restaging of Infofictions, the exhibition of language pieces she made in Halifax, Nova Scotia in 1971, a few months before her exit from the artworld, completes the exhibition, drawing visitors into the world of Lozano’s innovative and uncompromising artistic imagination; the world of a supremely talented painter who in the end prioritised thinking over doing.

Image: Lee Lozano, No Title, c 1962. © The Estate of Lee Lozano. Courtesy Hauser & Wirth.

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