Hear from the artists in
Poor Things
Dean Kenning
Renaissance Man, 2017
Kinetic Sculpture. Courtesy of the artist
Linda Aloysius
Perforated, 2015
Recognised peg board, household emulsion paint, cotton string, nylon voile, sterilised compost, metal street sign part, postcrete, scratches, cuts, stains, indents, scuffs, holes, dirt particles
Courtesy of the artist. Photo: Tom Nolan
Penny Goring
Pour Doll, 2021
Fabric. Photography: Anne Tetzlaff. Courtesy of the artist, ICA, London and Arcadia Missa, London.
Penny Goring
Wrong Doll, 2022
Fabric. Photography: Anne Tetzlaff. Courtesy of the artist, ICA, London and Arcadia Missa, London.
Anne Ryan
Friday on my mind, 2022–23
Inkjet prints, acrylic, oil on card cutout, collage, and varnish. Courtesy of the artist and greengrassi gallery, London. Photo: Tom Nolan
Janette Parris
Catching Up, 2020
Digital animation, 5 mins 51 secs
Skint, 1996
Mixed media sculpture. Courtesy of the artist. Photo: Tom Nolan
Joseph Buckley
Crystal Landlord, 2023
Resin, wood and mixed media
Courtesy the artist. Photo: Tom Nolan.
Lee Holden
Pervading Animal (Variant 23), 2023
Compressed air, industrial magnet lifter, chain hoist, glass birds, mop, discarded network cabling, LED lights, disposable wine kegs, scourers, ceramic plates, plumbing parts and fittings, fabric conditioner and other toiletries.
Courtesy of the artist. Photo: Tom Nolan.
Rosie McGinn
Oblivion, 2020
Wood, Wire, printed lycra, hair, stuffing, thread, industrial fan. Courtesy of the artist and Palfrey Gallery. Photo: Tom Nolan
Beagles & Ramsay
A NEW HEADS ON THE BLOCK & ROPE A DOPE KIDNEY PUNCH UPDATE MEAL DEAL AKA
THE WORLD BELONGS TO THOSE WITH GOOD TEETH AKA SELL A LUNG TO FEED THE KIDS AKA TYPE IV FUN AKA DAMN YOUR SPAM WE WANT BEEF AND WELCOME TO THE NEGATIVE AFFECTIVITY DOMAIN 2.0 OR SHOULD THAT BE A MOMENTARY LAPSE OF EQUALITY CONTROL IN A CIRCULAR HOLDING PATTERN OR HEAD LUNG DEAD AND OLD NED MOB, 2023
Used office furniture, used plywood & OSB, used carpet tiles, concrete, lanyards and acrylic
Courtesy the artists and New Heads On The Block & Rope A Dope. Photo: Tom Nolan.
Andrew Cooper
Those Whose Souls Resist Repossession, 2016; Millie, Reg, The Hammer, 2012; Tea Horse, 2010
Digital video, scrubbing brush, sink plunger, carved wood. Courtesy and copyright of the artist. Photo: Ruth Clark.
