Exhibition 22 May – 11 July 2010
Belgian artist and film-maker Johan Grimonprez (born in 1962) is internationally renowned for his complex film and video montages which combine footage from various sources to explore the troubled relationship the modern, multimedia led world has with its own social, cultural, historical and political identity.
Grimonprez first came to prominence in 1997 when dial H-I-S-T-O-R-Y, a 68-minute long media history of aeroplane hijackings, was shown at Documenta X, Kassel, and took the art world by storm. At the end of 2009, he released Double Take, a feature-length film of odd couples and double-deals that casts Alfred Hitchcock’s work and persona as central to and reflective of a world in flux. The work uses techniques familiar from dial H-I-S-T-O-R-Y and was similarly well-received.
This exhibition was the first British Gallery showing of Double Take, and presented it together with dial H-I-S-T-O-R-Y and two much earlier works which draw on research undertaken in a province of Papua New Guinea during the artist’s postgraduate studies in cultural anthropology. These early films, with their emphasis on one culture’s attempted to reconcile its sense of itself with that of another, provided a telling context for the later works.
All the works in the exhibition are informed by Grimonprez’s insistent, persistent and political enquiry into the power of the moving image. His use of juxtaposition references the television remote control and the ability it gives a viewer to ‘zap’ from one image to the next. As news broadcasts meet advertisements, clips from TV shows and Hollywood films, a new narrative is created in which reality and fiction become blurred, contested ideas. Grimonprez makes familiar images seem novel, at once frightening and humorous, subjective and objective. His work reveals and subverts the role the moving image can play in the construction of our personal and political histories, our fears and aspirations, and the way we look at the world and ourselves.
Exhibition supported by
With Support from of The Flemish Government
Johan Grimonprez Webfilm
Talks and Events
Johan Grimonprez Artist’s Talk
Johan Grimonprez in conversation with Fiona Bradley about the work in the exhibition.
My Rendezvous with History Was Approaching: Documentary Film and Contemporary Art
JJ Charlesworth (Associate Editor of Art Review), curator Kirsten Lloyd (Stills/University of Edinburgh), explore the relationship between archival documentary film and contemporary art in light of the politics of globalisation. Chaired by art historian Angela Dimitrakaki (University of Edinburgh).
This poster was designed by The Fruitmarket Gallery to support the Johan Grimonprez exhibition which ran from 22 May – 11 July 2010.
Fruitmarket Gallery Publication
This book brings together the most insightful dialogues and critiques on the work of Johan Grimonprez, whose work was exhibited at The Fruitmarket Gallery in Summer 2010.