Archive

Showing two different aspects of Nash’s work provided a timely opportunity to reassess his position both in relation to his peers and to the wider issues affecting contemporary sculpture.

Curated by Robert Hopper, Line of Cut featured a group of small sculptures made between 1979 and 1996.

Elements of Drawing, curated by Nigel Walsh, featured drawings in charcoal, graphite, pastel, earth and mud.

Presented in association with the Henry Moore Institute, Leeds and Leeds Museums and Galleries.